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Love according to

present our seventh title, the novel Love according Sebastian Antezana (winner of National Novel Award 2008) . The hope on Friday, May 20 hrs. 19:30 in the Sala Luis Bazoberry of the Cinematheque, not missing.

A woman has been lost. And her husband sinks into a haunting exploration, listing the wreck in search of an explanation . That's all that happens in this second novel by Sebastian Antezana, which explores the relationships between artificiality, mechanics and vitality, and the consequences begin to live when you have closed the illusion of a possible start.

The peculiarity of the title suggests that it is the reader who must decide how to supplement this "as" truncated, unresolved, ambiguous, which sets out a challenge from the front. That decision not only one position of narrator, but also novel possible. In Love according , the circularity of the plot plunges into a compulsion graphomaniac neatly sustained strength in rhythm and style.

enigma Photography and police, and by Antezana explored in an earlier novel, are here a new type of treatment. If Perec hatched a novel to tell the disappearance of a letter, this unclassifiable fragments narrative about love seems to work as an allegory of a data strident contemporary life: the disappearance of the central place that the novel (the story in general) came in the social fabric and imagination Western. And we face, among many others, this dilemma: if the novel is gone, who will tell the passion? How? On what trails?

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GUEST CRITICS: Man from Earth (Richard Schenkman)

AUTHOR OF CRITICISM: Eduardo García

I speak of little-known film and I found I can not remember how, call Man from earth and has made it known through of internet and p2p programs (of which the director, from what I read, not only does not deny, but welcomed)

Can you make a film of science fiction, aliens, no explosions, no monsters, with a budget of about $ 200,000? Yes.

And besides that hook, that as we spend a few books, we are eager to turn a page over and see what happens? Well yes.

"Good performances, strong script, interesting and that caught me on the couch? Yes.

The history is very simple. A university professor and his companions move will organize a farewell, go to your home while you're packing everything. So far no more, right? His companions are appreciated, so I wonder if all goes well, why are you suddenly after 10 years. He gives vague answers initially. Peers sense that there is more and inquire.

Eye, which has some of the plot, which lies at the heart ... The protagonist is torn between telling the true reason I got to go, a secret, something you do not ever believe, something that would change your relationship with them and them forever, something that has never told anyone. Did story? seems a sensible man, intelligent and good person. Almost better not tell, we are friends and who knows what effect if I tell it would be a before and after in our relationship, in his entire life, no turning back ...

For if that story. And here is where the conversations I was caught. It all starts with a game leads to some interesting conversations what if ...?

Peers follow the game and the conversation is interesting, enjoyable and fun. Until an abrupt sentence, the protagonist John Oldman causes the change in assumptions to reality:

Les says he has 14 thousand years, and has since been in the land!

Peers are torn between confusion, amusement, discomfort ... but still the game. It turns out that friends are professors of history, archeology, biology, and Christian literature, which generates two interesting discussions. First, who believes or not what says, if it is a joke, a game or just John's crazy. And second, those who do not create doubt and see what he says is not true and those who believe in real interest disturb them a lot of questions , each of the subject in which an expert teacher university.

One of his friends, worried that the joke is going too far, call a psychiatrist colleague, who came to ask more questions.

And John answered questions one by one, all. With a sense of honesty and certainty that further confuses his friends. Everyone reacts in a way, since the interest fun "follow him to see the roll what matters "to the anger " this guy is kidding me or truly crazy " through the confusion, interest in the seemingly impossible, reasonable doubt, the inability to confirm or disconfirm their history ...

afternoon gives way to night, it's cold at home, away, humble, with little furniture, the fireplace takes center stage on which to gather. There is increasing tension, snappy dialogue, startling revelations, etc.

The plot is rising in intensity as darkening, until John Oldman , reluctantly and facing a nagging question, makes a shocking revelation (which I will not count.)

More interest, more confusion, more questions, more skeptical, more anger ... but to continue counting ...

Throughout the story the viewer is one more , gets into the room of the house with his friends, imagine what they would ask, questions his answers, he believes, thinks it's a joke, he's crazy etc.

course say the end is somewhat ambiguous, dramatic . He who wants nothing more than go see it and read later.

My end seemed a bit convoluted, stilted, exaggerated . Would have preferred a more open final, more subtle. Still, surprises and hits, a matter of taste, I did not convince me.

As curiosities, for those who want to study more Wikipedia for example, the script is one that Jerome Bixby, which began in 1960 and ended in 1998, a Friends of John Oldman models is William Katt, "The American superhero" (series of my generation are bound to remember). The soundtrack accompanies, and is especially relevant when listening to Beethoven, Symphony No. 7 second movement, part I've always liked, which also appears in the film Zardoz .

With few movies I happened to finish watching it you just keep looking forward to seeing you again whole again, Memento for example, as happened with this.

And as I happen to " Invasion of the Body Snatchers" (1978), they try to imagine a sequel, a series that delve into the subject, do not know, but it is something like "I want more of this. " And of course, as with other films, I feel like talking about it with friends.

It was great! seeing, I seized the senses from beginning to end. I hope that you live like this and enjoy it .

AUTHOR OF CRITICISM: Eduardo García

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Mauricio Antezana Sebastian Murillo: "Internet is essential to produce narrative" Hazardous

The supplement edition of Black's Fund today came out this interview with Mauricio Murillo, following the recent presentation of his first novel The potential depths. Murillo answered calmly on crossings between multiple textualities sea and obsession / phobia, the influence of the Internet in this, the geographical reference in the literature, and their views on the new generation of storytellers in the country. Indeed, this questionnaire comes with an extra question bonus track, and which exceeded the permitted spaces On Black.

Wednesday 4 in Bolivian cinema facilities are presented possible depths first novel Mauricio Murillo (1982), winner of the latest version of the National Short Story Prize Franz Tamayo. This is a short text that works on many levels and involving a multitude of historical figures of all kinds, with a plot that revolves around "a mystery, deciphering which assists the reader as a witness." Speaking on the occasion, Black Fund met with the author.

- In general, what is the argument The potential depths?

- is a fragmentary novel, with several stories that are interpolated, so it's hard to define a single argument. But I think in general it is the journey undertaken by Tariq, a tangerine, from his native Tangier to Santoña, Spain. All this is mixed with the obsession that Tariq is with deep, dark sea, as well as his penchant for playing a map that Juan de la Cosa drew in 1500.

- Philip Marlowe, Alf, Natalie Wood, Christopher Columbus and other figures are a very diverse group and seemingly random. How do you explain his appearance in a short novel Talking about the sea?

- I think the symbolic networks that are likely among these figures are very different. Many are related from the random, geographic space or literature. In any case, in the novel the figure of Tariq, their experiences and obsessions, serve as a sort of catalyst. Not always does everything for him, but it relates to travel from Tangier to Santoña ago.

- The setting of the plot to the sea could be read as a gesture of particular interest in a Bolivian writer, although not mentioned at all in our country. The sea is in the novel a constant backdrop and an element that exerts constant fascination and horror. Is it then the real scenario of the novel, beyond some specific cities?

- Until now you mention the relationship between the sea and a Bolivian writer had not thought of, but yes, it seems strange. I think that this relationship does not go through the idea of \u200b\u200bthe sea real. For me, and in this novel, the figure of the sea arises from different images in different books. Now, do not think the sea is the true stage, but what you say: a backdrop, something that is by eating Tariq's head, cities, bars, boats, television and other elements are part of that scenario. I think the novel is branched in several directions. This disorder is perhaps its stage.

- References to a number of other fiction as literature and film and television, including figures of different orders and some concern about the changing geography of the globe are mixed here visits to the past, as diverse as the discovery of America and a golden age of Hollywood post. Thus, it is almost impossible to miss the question. Do you According to what he once said Beatriz Sarlo, that since Wikipedia exists scholarship ceased to exist?

- I think now the Internet is essential to produce narrative. Scholarship always seemed to me a position that needed to be put into crisis. The idea of \u200b\u200bWikipedia is so interesting, because many data contained on it are false or copied. This online encyclopedia has a sense of humor important, of which I am sure, its creators and users are unaware of it. With Internet we have doubt and laugh over it. The image of the scholar seems a little dull and cool if in Wikipedia we can see who is married the player who most admire or actress we like. Many times in literature looked certain knowledge as useless, but on the Internet we can find the latest news as momentous and know that we'll never sneeze with your eyes open. Although there is another risk: anybody can write what he wants to publish any poem or story. This will cause many lost hours.

- Why Santoña Tangier, Africa and Europe, as scenes of the novel? And by the way of it, do you think that the lack of specific references Bolivian -temporal geographical, etc .- is a constant in the current national narrative?

- The choice of these cities was born by chance or because the characters or historical events I demanded it. Juan de la Cosa and made me noticing portolan Santoña and Cartagena de Indias. The spy in Tangier. Lisbon had other reasons. I think all of the time of writing and what you want to tell. On the other hand, the idea of \u200b\u200bnot explicitly refer to Bolivia is not just contemporary. In tropical flower of Chirveches, Beyond the Horizon Lavayén Aguirre, The uninhabited de Quiroga Santa Cruz, some stories Cerco de penumbras of of Cerruto, papers Narciso Lima-Acha Saenz, described strange places for Bolivians. This is not new. I also believe that now, through the Internet, television, film and others, it is easier to talk about the world. But I also believe that in these books that the current name and direct references are not environment, they can recognize certain winks and gestures that speak of Bolivia. I'm sure there are in my novel and that can leave a writer glimpse of La Paz. Now, I also believe that great writers write current Bolivian very attached to their geographical and social reality, and produce great novels. For example, Juan Pablo Piñeiro and Wilmer Urrelo.

- How do you see compared to other current work? And, in general, do you think we can talk about some common themes in literature, writers of young Bolivian, or rather this would be a time of diaspora, a time when every writer follows an autonomous path?

- Geez, is a question a little difficult. I do not know, current fiction writers is that I like (Barrientos, Hasbun, Colanzi, Antezana, Ruiz, Pineiro, Urrelo), but I do not know how to qualify ahead of them. There are several places common, but now I could not describe. I think some more about humor and with others the importance of the intertext and parody, but it would have to wait for a critic to engage in this.