Sunday, January 9, 2011

Mysore Mallige Vedios

invited criticism: MARIE ANTOINETTE (Sofia Coppola)


To see more evidence of the poster, click here

AUTHOR OF THE SYNOPSIS: Lola (blog Questions and Flores )

The historical film is a genre that allows managers to make many variants, or even afford certain licenses. In case of Marie Antoinette the soundtrack to rock reflects the desire Sofia Coppola to present the most hated Queen history of France of a nearby, surrounding it with a certain tenderness, without criticism of his time . Only care about the protagonist, Marie Antoinette .

Born in Vienna , the very young aspiring the throne must marry the Dauphin of France, a care pavisoso the poor boy. When Marie Antoinette comes to court must take the witnesses who have to spy on absolutely everything he does. If you go to the bathroom, when you wake up next her husband, and a few months of his arrival in the country grows Gallo the dreaded question "why not born an heir?

With flat descriptive director presents landscape paintings authentic: the refuge of loneliness of Marie Antoinette. Green fields, which are concatenated with mountains of sweets and cakes extravagant engulfed by the Queen. Without eroticism in his life, Kirsten Dunst engulfs this great recipe confectioneries while music destabilizes the viewer, emphasizing that moment of weakness of the Queen hated . Which rock star extravaganzas replaced the lack of love and affection that she does not possess. Versailles

witnesses the three years that the Dolphin and have delayed Austrian descent. The first daughter is a girl, causing anger of the French nobility. A handsome lover fills a Marie Antoinette that love filled with desire to make her squirm. Although these conflicts love of the court, the people know of this man, the criticism of the excesses of Queen slow in coming and not to shock the citizens of Paris.

the sake of the French Revolution 1781, Marie Antoinette flees with her husband even though we know that no one was spared from the uprising of the people ... Sofia Coppola gives us film about a woman who we know died guillotined, but does not stop there. Marie Antoinette may have been a fancy of his time, a snob. And in this film re-creates .

Sympathetic and smiling, charming and brave. Kirsten Dunst takes between corsets and wigs interpretive weight belt hundreds of pairs of shoes , with bands, thousands of colors, and a look at times lost , a lack of love latent in all that we see of the young Austrian. A woman always seeking to please and critical about him.

important thing is that the spectator who judges Marie Antoinette. This vision rock, more immersive and more current film luxury of planning impressive but above all it speaks of Marie Antoinette: Queen having more than one hundred biographies in any current library.

The artistic direction of the film is outstanding . The century Marie Antoinette rich and hairstyles wigs, silk and tulle and exaggeration put several key note about the color of film. Always saturated, exaggerated, almost video.

I think the film is that this woman is a victim of its time and its kind with love, not hate, and let we who the judge. Excellent narration Sofia Coppola, accurate yet endowed with a freedom . The film won the Oscar Best Costume .

worth film about many things, but especially for the colorful in each plane, and find out more about this Queen Austrian smiling and defiant lives in Paris as in a cage gold. As fragile and strong at the same time, analysis of the principal very deep .

When so many people today criticized the nobility, well done Sofia Coppola in review the Marie Antoinette nicer and full of vitality.

critical Author: Lola (blog Questions and Flores )

To see more evidence of the poster that illustrates this post, click here

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