invited criticism: MARIE ANTOINETTE (Sofia Coppola) To see more evidence of the poster, click here
AUTHOR OF THE SYNOPSIS: Lola (blog
Questions and Flores )
The historical film is a genre that allows managers to make many variants, or even afford certain licenses. In case of Marie Antoinette
the soundtrack to rock reflects the desire
Sofia Coppola to present the most hated Queen
history of France
of a nearby, surrounding it with a certain tenderness, without criticism of his time . Only care about the protagonist, Marie Antoinette
.
Born in Vienna
, the very young aspiring
the throne must marry the Dauphin
of France, a care pavisoso the poor boy. When Marie Antoinette
comes to court must take the witnesses who have to spy on absolutely everything he does. If you go to the bathroom, when you wake up next
her husband, and a few months of his arrival in the country grows Gallo
the dreaded question "why not born an heir?
With flat descriptive
director presents landscape paintings
authentic: the refuge
of loneliness
of Marie Antoinette. Green fields, which are concatenated with mountains of sweets and cakes
extravagant engulfed by the Queen. Without eroticism in his life,
Kirsten Dunst engulfs this great recipe confectioneries while music destabilizes the viewer, emphasizing that moment of weakness of the Queen hated . Which rock star extravaganzas replaced the lack of love and affection that she does not possess. Versailles
witnesses the three years that the Dolphin and have delayed Austrian descent.
The first daughter is a girl, causing anger
of the French nobility. A handsome lover
fills a Marie Antoinette that love filled with desire to make her squirm. Although these conflicts love of the court, the people know of this
man, the criticism of the excesses of Queen slow in coming and not to shock the citizens of Paris.
the sake of the French Revolution 1781, Marie Antoinette
flees with her husband even though we know that no one was spared from the uprising of the people ...
Sofia Coppola gives us film about a woman who we know died guillotined,
but does not stop there. Marie Antoinette may have been a fancy of his time, a snob. And in this film re-creates . Sympathetic and smiling, charming and brave. Kirsten Dunst
takes between corsets and wigs interpretive weight belt hundreds of pairs of shoes , with bands, thousands of colors, and a look at times lost , a lack of love latent in all that we see of the young Austrian. A woman always seeking to please
and critical about him.
important thing is that the spectator who judges Marie Antoinette. This vision
rock, more immersive and more current film luxury of planning impressive but above all it speaks of
Marie Antoinette: Queen
having more than one hundred biographies in any current library. The artistic direction of the film is outstanding . The century Marie Antoinette
rich and
hairstyles wigs,
silk and tulle and exaggeration put several key note about the color
of film. Always saturated, exaggerated, almost
video.
I think the film is
that this woman is a victim of its time and its kind with love, not hate, and let we who the judge. Excellent narration
Sofia Coppola, accurate yet endowed with a freedom .
The film won the Oscar
Best Costume .
worth film about many things, but especially for the colorful in each plane, and find out more about this Queen Austrian
smiling and defiant
lives in Paris
as in a cage gold. As fragile and strong at the same time, analysis of the principal
very deep .
When so many people today criticized the nobility, well done Sofia Coppola in review the Marie Antoinette nicer and full of vitality. critical
Author: Lola (blog Questions and Flores ) To see more evidence of the poster that illustrates this post, click here
